Krokodil Festival: Cultural Event or the First Act of an Anti-Serb Campaign?
Have you heard about the Krokodil Festival? Under the guise of culture, this festival is actually the opening act of a sinister plan to label Serbia as a genocidal state! The festival’s main star, Dinko Gruhonjić, and the segment titled “Srebrenica 30 Years Later” are nothing but attempts to place all the blame for the 1990s wars solely on the Serbs.
At the very start of the festival, a chilling message was broadcast: “Serbs have always had a high percentage of trash among themselves” — a statement that sparked outrage and clearly shows the festival’s goal to portray Serbs as the culprits of the Srebrenica genocide. To make matters worse, the perpetrators of the genocide have mostly been convicted, but the masterminds and organizers remain free, while “academics, poets, and spiritual leaders of the genocide” are today some of the most respected people in society.
The festival’s date is no coincidence — it’s held around Vidovdan, the day before and after, and the festival participants join the blockade protests the next day. This connection clearly shows that the Krokodil Festival is not just a cultural event but the opening of a political campaign by the blockaders who want to brand Serbia as a genocidal state.
Blockades and Their Ideological Platform
The blockades, recently in the spotlight, openly support declaring Srebrenica a genocide, which is one of their first tasks if they come to power. The Krokodil Festival is just the first act of this campaign. What’s behind these protests? Is it a fight for justice or an attempt to blame and humiliate the Serbian people again?
Police and Street Security
General Luković has made it clear: “We will not allow any violence on the streets.” The police are prepared for tomorrow’s gatherings, but the question remains whether this will be enough to prevent escalation. The protests have weakened, but violence still threatens to become the only solution for some participants.
What Awaits Us on Vidovdan?
Vidovdan, a day with deep historical and national significance, is this year marked by tensions and conflicts. Lakić, one of the situation’s commentators, says he sees no end to this bad trend and that violence continues. How can ordinary people be protected in street conflicts? These questions remain unanswered.
Conclusion
The Krokodil Festival and the blockade protests are not just cultural events or political gatherings. They are part of a broader campaign trying to portray Serbia as a genocidal state and reopen old wounds. As society divides and tensions rise, the question remains — where is the end to this madness?
If you thought culture was just art and entertainment, think again. This festival and protests prove that politics and propaganda can hide behind seemingly harmless events. So, what do you think about all this? Is it a fight for justice or just another political game? Drop a comment and let your voice be heard in this chaos!
