Singer Ana Nikolić spoke about her song “Romale, Romali,” which propelled her to the top of the music scene and is considered one of her biggest hits. Although the song was a favorite at Beovizija, it finished in fifth place, which Ana found hard to accept. She revealed that the song did not bring her financial gain and that she did not perform after Beovizija. Kiki Lesandrić, the song’s author, shared how the collaboration with Ana came about and that the price of the song was high due to his boldness at the time. Ana stated that she would never participate in Beovizija again as she sees no point in it, and that her focus is on Hollywood rather than Europe. She also commented that she often breaks regimes and receives compliments on her appearance.
Political Perspectives:
Left: Left-leaning outlets tend to emphasize Ana Nikolić’s artistic journey and the emotional impact of her experience at Beovizija, highlighting the challenges artists face in the music industry and the lack of financial reward despite popularity. They may also focus on her critique of the music competition system and her desire to pursue a broader international career.
Center: Centrist sources report the facts about Ana Nikolić’s hit song and her Beovizija participation straightforwardly, focusing on her career milestones and statements without much editorializing. They present her reflections on the competition and her career pragmatically, noting her success and future aspirations.
Right: Right-leaning media might highlight Ana Nikolić’s independence and boldness, emphasizing her refusal to conform to the Beovizija system and her focus on Hollywood as a symbol of ambition and success. They may also underscore her defiance of regimes and celebrate her confidence and appearance.
