Croatian singer Martina Vrbos, who has lived and worked in Belgrade for decades, married a Serbian man, Bogoljub Vidaković, and changed her life profoundly. In interviews, she revealed that she was unaware of Serbian customs until she started living in Serbia, especially the celebration of Slava, which she experienced for the first time at singer Viki Miljković’s home. Martina emphasizes that people in Serbia are more open and hospitable, while in Croatia there is no Slava tradition and less socializing. Although she spends a lot of time with her children, she admits she has not provided much of a home atmosphere and usually celebrates holidays with her godmother. She also shared that before her singing career, she worked in a strip club in New York, which helped her record an album and achieve success in the market.
Political Perspectives:
Left: Left-leaning outlets tend to emphasize the cultural integration and personal growth aspects of Martina Vrbos’s story, highlighting her embrace of Serbian traditions and the blending of cultures through marriage. They may also focus on themes of openness, acceptance, and the breaking down of nationalistic barriers.
Center: Centrist sources report the facts of Martina Vrbos’s marriage and life changes straightforwardly, focusing on her personal experiences adapting to Serbian customs and her career background. They present a balanced view without strong political or cultural bias, emphasizing human interest and cultural exchange.
Right: Right-leaning media might highlight the preservation of national identity and the significance of traditional customs like Slava, possibly framing Martina’s story as an example of cultural respect and the importance of family values. They may also underscore the differences between Croatian and Serbian traditions and the positive aspects of embracing Serbian heritage.
