Dobrovoje Topalović, a famous folk singer, left an indelible mark on the domestic music scene. He began his career in a local cultural-artistic society and made a breakthrough with the song “Ej, mi”. He was known for his love of rural life, especially during economic crises, believing that the countryside can survive hard times better than the city. He was a great bohemian, fond of company, cigarettes, and rakija. In 2020, he was diagnosed with lung cancer and spent his last days surrounded by family, distancing himself from the public. His friend and colleague Miroslav Ilić was in contact with him during his final moments.
Political Perspectives:
Left: Left-leaning sources emphasize Dobrovoje Topalović’s connection to rural life and the working class, highlighting his humble beginnings and the cultural significance of folk music as a voice of the common people. They focus on his personal struggles with illness and his choice to spend his last days with family, portraying him as a symbol of resilience and authenticity.
Center: Centrist sources provide a balanced overview of Dobrovoje Topalović’s career achievements and personal life, noting his contributions to the folk music scene and his popularity. They report on his illness and death with respect and focus on his legacy in the music industry without strong political or emotional framing.
Right: Right-leaning sources tend to emphasize traditional values reflected in Dobrovoje Topalović’s preference for rural life and his bohemian lifestyle. They highlight his role in preserving national cultural heritage through folk music and respect his personal choices during illness, often framing him as a cultural icon representing national identity.
