Drama, Opera, and Ballet at HNK Zagreb: Awards That Should Shine or Raise Eyebrows?
The Croatian National Theatre (HNK) in Zagreb handed out its annual awards this Friday for the best artistic achievements in drama, opera, and ballet for the past season. But are these awards truly a reflection of top talent, or just another theatrical circus? Let’s dive behind the scenes of this drama!
The Acting Ensemble That Amazed or Confused?
Ksenija Marinković received the Mila Dimitrijević award for the best acting performance in the play “Annie Ernaux,” directed by Jovana Tomić. The play explores the turbulent relationship between mother and daughter through different life stages, and Ksenija’s interpretation is described as precise, convincing, and self-critical. But is this really the pinnacle of acting, or just another pretentious play leaving audiences puzzled?
The acting ensemble of “Crime and Punishment” by Fyodor Dostoevsky, directed by Jernej Lorenci, was also awarded. Their performance is described as hypnotic, emotionally charged, and intellectually demanding. Iva Jerković Oreški was especially highlighted for her interpretation and contribution to the soundscape. But could the audience really follow this “somnambulistic section of social madness,” or did many just give up trying to understand?
Opera and Ballet: Shine or Shadow?
Valentina Fijačko Kobić was awarded for her role as the titular Rusalka in Antonín Dvořák’s opera. Her voice is described as perfect, and her performance as mature and detailed to the finest points. Ivica Čikeš received the Vladimir Ruždjak award for three roles in opera, with his interpretation described as authoritative and free of unnecessary mannerisms.
In ballet, Natalia Kosovac was awarded for her role as Vivette in Georges Bizet’s “Arlequin,” while Mattia Baccon received the Oskar Harmoš award for his role as Petrushka in Igor Stravinsky’s ballet. Both were praised for their technical and interpretative versatility.
Are These Awards Truly a Reflection of Top Talent or Just Another Theatrical Circus?
While some laureates are praised for their dedication and technical excellence, the question remains how much the audience truly understands and appreciates these art forms. Are these awards just another way to maintain the status quo in the art world, or do they genuinely recognize those who push boundaries?
Conclusion: Applause or Critique?
HNK Zagreb handed out awards that celebrate art but also raise questions. Are the awards truly deserved, or just part of the theatrical game? Maybe it’s time for the audience to speak louder — because art without an audience is just a whisper in an empty hall.
So, what about you? What’s your favorite play or performer? Or do you think this is all just another show behind the scenes? Drop a comment, let your voice be heard — maybe you’ll discover the next star or expose the theatrical circus!
