The Sanjaj Gallery in Belgrade has opened a sculpture exhibition by visual artist Jelena Kršić titled “Izlečište Revivarium.” The exhibition features ten works exploring the relationships between body, space, silence, meaning, and the experience of memory. Through her sculptures, the artist invites viewers to slow down and encounter their own often suppressed layers, presenting healing as an act of remembering and inner regeneration. Her sculptures, previously cast in bronze, are now made from a new material that gives them a light, translucent form and inner light, emphasizing the emotional power of movement. The exhibition will be on display until July 5th.
Political Perspectives:
Left: Left-leaning outlets emphasize the introspective and healing aspects of Jelena Kršić’s exhibition, highlighting the themes of memory, collective consciousness, and the invitation to slow down and reflect. They focus on the emotional and symbolic depth of the sculptures and the artist’s innovative use of materials to convey vulnerability and transformation.
Center: Centrist sources report the exhibition factually, focusing on the details of the event, the number of works displayed, the artist’s background, and the technical aspects of the sculptures. They provide a balanced overview without strong ideological framing, emphasizing the cultural significance and the exhibition’s availability to the public.
Right: Right-leaning media might highlight the national and cultural pride aspects of Jelena Kršić’s work, emphasizing her Serbian heritage and contributions to the local art scene. They may also focus on the artist’s recognition and the importance of supporting national artists and cultural institutions.
