The famous singer Lola Novaković was one of the most popular domestic music stars, known as the first lady of Yugoslav and Serbian music. Her career spanned decades, with numerous hits, tours, and awards, including representing Yugoslavia at the 1962 Eurovision Song Contest where she placed fourth. Her private life was turbulent, with three marriages, and she spent her last years in solitude. After her death, her house was robbed, causing great shame and sorrow among her fans and friends. Lola wished for a private cremation funeral, which was honored. Her legacy continues through her music and memories of her.
Political Perspectives:
Left: Left-leaning outlets emphasize Lola Novaković’s cultural impact and her role as a pioneering female artist in Yugoslav and Serbian music. They highlight the tragedy of her lonely final years and the disrespect shown by the robbery of her home after her death, framing it as a societal failure to honor cultural icons properly.
Center: Center-leaning sources provide a balanced overview of Lola Novaković’s career achievements and personal life, noting her popularity and contributions to music alongside the unfortunate events surrounding her death and the robbery. They focus on factual reporting without strong emotional or political framing.
Right: Right-leaning media focus on Lola Novaković’s status as a national cultural treasure and the importance of respecting traditional values and legacies. They condemn the robbery as a moral failing and emphasize the need to preserve and honor Serbian cultural heritage, often linking it to national pride.
