Zagreb Under Siege: Marko Perković Thompson’s Concert Sparks Nationalist Chaos and Outrage!
Last weekend, Zagreb became the stage for one of the most controversial events of the year – a concert by Marko Perković Thompson, a singer long synonymous with nationalist rhetoric and controversy. Thousands gathered at the Zagreb Hippodrome, but what followed was not just a musical event; it was a political spectacle that ignited passions and unleashed a wave of condemnation.
Concert or Political Rally?
What was supposed to be a music celebration quickly turned into a platform for explicit political messages. Songs glorifying the Ustaše, such as “Here comes the dawn, here comes the day, here comes Jure Boban,” shocked many citizens. The banned Ustaše salute “Za dom spremni” was also seen and used during the concert, fueling the controversy even more.
Chaos in the Streets of Zagreb
After the concert, Zagreb’s streets were littered with trash and chaos. Actress Daria Lorenci Flac expressed her anger and shock at the behavior of Thompson’s fans, who left heaps of garbage behind. “What a wonderful world… yeah, right… how? How? Patriots?” she commented sarcastically, while SDP politician Ivana Marković sharply condemned the concert as a manifestation of extremism and hatred.
Political Condemnations and Social Tensions
Ivana Marković wrote on her Facebook that the concert was not just entertainment but a political event with clear messages of hatred and glorification of Ustaše. “I am deeply ashamed that songs glorifying slaughter and killing are heard in the capital,” she said. Her statement sparked fierce reactions, with some even attacking her for her views.
Antifascism as a Response
In protest, jumbo billboards appeared in Zagreb with the message “Antifascism is the greatest concept in the world,” clearly signaling strong resistance to the nationalist messages promoted by the concert. Croatian singer Severina also supported this message, emphasizing the importance of antifascism in modern society.
What Do the World Media Say?
Global media sharply criticized Thompson’s concert, highlighting that he uses entertainment as a cover to spread nationalist and revisionist rhetoric. This event is not just a local problem but a warning sign of rising tensions and dangers of extremism in the region.
Conclusion: Entertainment or Danger?
While some see patriotism in Thompson’s songs, others recognize a dangerous glorification of hatred and a past society should leave behind. Zagreb showed last weekend how deeply divided it is, and this concert only added fuel to the fire. Will such events continue, or will society find a way to confront these challenges? Time will tell.
What do you think? Just a concert or a dangerous political message? Drop a comment, maybe together we can unravel this puzzle!
