Martin Scorsese: The King of Gangster Films Who Doesn’t Recognize Marvel!
Did you know that Martin Scorsese, one of the greatest American directors of all time, has a list of 125 favorite films? Yes, you read that right – 125! And these aren’t just any films, but masterpieces that shaped the history of the seventh art.
Who is Scorsese anyway?
Scorsese is not just a director; he is a legend of the American New Wave, a man who redefined American cinema. His films like “Taxi Driver” and “Raging Bull” depict the dark, dirty side of America, with corruption, crime, and spiritual questions. His mentor was John Cassavetes, a pioneer of improvisation in film, which deeply influenced Scorsese’s style.
Why is his list important?
Scorsese’s list is not just a collection of films but a guide through film history. He believes everyone should watch these films to understand the art of cinema. Among his favorites are “The Searchers,” “Citizen Kane,” “The Red Shoes,” Fellini’s “8 1/2,” and Luchino Visconti’s “The Leopard” – a film Scorsese describes as a magnificent fresco about Sicily and time that flows slowly, aristocratically.
Scorsese vs. Marvel: The Ongoing War
Scorsese is also known for his criticism of modern blockbusters, especially Marvel films. He believes the market is heading towards the slow death of independent film, which has angered many younger generations. But Scorsese doesn’t back down – he is a passionate advocate for film literacy and preserving film history.
What can we learn?
This list is a wake-up call for all of us who love film. Will we watch only instant hits or strive to understand the art behind the camera? Scorsese reminds us that film is not just entertainment but a mirror of society, history, and the human soul.
Final Word
If you think Marvel films are the pinnacle of cinematography, maybe it’s time to see what true masters like Scorsese consider masterpieces. His list of 125 films is a challenge and an opportunity to broaden your horizons.
Comment, argue, joke! What’s your favorite film and do you agree with Scorsese? Have blockbusters killed film art or just evolved? Leave a comment and start the debate!
