The posthumous album ‘Dolaziš’ by the legendary Croatian musician Oliver Dragojević has been released and is available on all streaming services as well as in physical form. The album contains twelve previously unreleased songs, including collaborations with well-known musicians such as Tedi Spalat, Marijan Ban, and others. The title single ‘Dolaziš’ is accompanied by an emotional music video directed by Toni Mijač, and the album will be presented on July 28 in Vela Luka, ahead of the traditional ‘Trag beskraju’ concert commemorating the anniversary of Oliver’s death. Media coverage emphasizes the emotional value of the album, the collaborations, and its significance for fans.
Political Perspectives:
Left: Left-leaning outlets emphasize the cultural and emotional significance of Oliver Dragojević’s posthumous album, highlighting the artistic collaborations and the legacy of the musician. They focus on the album as a tribute to Oliver’s enduring influence and the emotional connection with fans.
Center: Centrist media report factually on the release of the album, providing details about the content, collaborations, and the upcoming presentation event. They maintain a neutral tone, focusing on the information and significance of the album for the music community.
Right: Right-leaning sources may emphasize national pride in Oliver Dragojević as a Croatian cultural icon and the importance of preserving and celebrating national heritage through his posthumous album. They might also highlight the traditional aspects of the commemorative concert.
