The ballet La Bayadère, with music by Ludwig Minkus and choreography by Gabriela Komleva, was premiered in a restored version on the main stage of the National Theatre in Belgrade. The performance tells the story of the dancer Nikiya and her tragic love for the warrior Solor, set in the ambiance of ancient India. The roles were performed by Sofija Matjušenskaja, Igor Pastor, and Milena Janković, with the orchestra conducted by Đorđe Pavlović. This performance marked the grand closing of the ballet season, and the ballet will remain in the repertoire for several more performances in June.
Political Perspectives:
Left: Left-leaning sources emphasize the cultural and artistic significance of the restored ballet La Bayadère, highlighting the collaboration between international artists and the preservation of classical ballet heritage. They focus on the inclusivity of the arts and the importance of maintaining cultural traditions in a modern context.
Center: Centrist sources report the event factually, focusing on the details of the performance, the artists involved, and the significance of the ballet season’s closing. They provide balanced coverage without strong political or ideological framing, emphasizing the artistic achievement and public interest.
Right: Right-leaning sources may highlight national pride in hosting such a prestigious cultural event, emphasizing the role of the National Theatre in promoting Serbian culture and arts. They might also stress the importance of traditional values and the preservation of classical art forms as part of national identity.