Actor Robert De Niro is known for his long career in American cinema, especially in the New Hollywood genre of the 1970s. Although he has tried various genres, De Niro previously refused roles in western films, considering them overdone and unappealing. However, he later accepted roles in films that can be considered anti-westerns or that critically approach the traditional western genre, such as “Once Upon a Time in America” and “Killers of the Flower Moon.” These films portray the western with different narratives, focusing on real events and critiquing American mythology, which De Niro found acceptable. His choice of roles shows a willingness to engage with the western genre only if it offers a deeper, critical perspective.
Political Perspectives:
Left: Left-leaning sources emphasize Robert De Niro’s critical approach to the western genre, highlighting his preference for films that challenge traditional American myths and portray indigenous peoples with respect. They focus on his roles in anti-westerns like “Killers of the Flower Moon” that expose historical injustices and critique the glorification of American expansionism.
Center: Centrist sources present a balanced view of De Niro’s career, noting his initial reluctance to participate in westerns due to their overuse, but acknowledging his later acceptance of roles in films that offer a fresh or critical take on the genre. They highlight his collaboration with renowned directors and his evolution as an actor willing to explore complex narratives.
Right: Right-leaning sources tend to focus on De Niro’s iconic status in American cinema and his versatility as an actor. They may downplay the political or critical aspects of his western roles, instead emphasizing his artistic choices and collaborations with famous directors like Martin Scorsese. The narrative may frame his involvement in western-related films as a testament to his broad appeal and talent.
